Created by Anthology’s Archivist John Klacsmann, the visual track of Elegy for J.M. is the result of an encoding malfunction while preparing a clip of Jonas Mekas’s Lost Lost Lost (1976), a happy digital accident in keeping with the spontaneity and openness to chance embodied by Jonas’s diary films themselves.

Archival footage edited according to the randomized reinterpretation of a piece by Camille Saint-Saëns, played on theremin

The film unfolds a young Chinese migrant’s poignant recollection of her love story within an underground troupe against the shifting landscape of Chinese urban queer allies and activism. In her voice-over narration, she reflects on the intimacy, struggles, and sacrifices once shared with a lost lover. As her private memories intertwine with public narratives of resistance, both she and her community navigate secrecy, repression, survival, looming precarity, and displacement under societal pressures, while confronting the personal cost of existing in a world that demands their silence. By its kaleidoscopic assemblages of dramatic re-enactments, interviews, found footage, news archives and psychoanalytically informed representations of consciousness, the film takes an essayistic, and "queering", approach to sexual identity, power, governmentality in contemporary China, where the ongoing ideological tensions between socialism and neoliberalism shape both public culture and private life.

After committing murder to avenge the family name, a young man flees from his father, a former hangman who wants justice done.

A short film based on motifs from Jānis Jaunsudrabiņš' book "Es stastu savai sievai" (I Tell My Wife).

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